Celestial Love

topic posted Sun, May 24, 2009 - 6:44 PM by  Ida Koronis
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A poem by Ralph Waldo Emerson

(Part of Ode I)

Higher far,
Upward, into the pure realm,
Over sun or star,
Over the flickering Daemon film,
Thou must mount for love,
Into vision which all form
In one only form dissolves;
In a region where the wheel,
On which all beings ride,
Visibly revolves;
Where the starred eternal worm
Girds the world with bound and term;
Where unlike things are like,
When good and ill,
And joy and moan,
Melt into one.
There Past, Present, Future, shoot
Triple blossoms from one root
Substances at base divided
In their summits are united,
There the holy Essence rolls,
One through separated souls,
And the sunny Aeon sleeps
Folding nature in its deeps,
And every fair and every good
Known in part or known impure
To men below,
In their archetypes endure.

The race of gods,
Or those we erring own,
Are shadows flitting up and down
In the still abodes.
The circles of that sea are laws,
Which publish and which hide the Cause.
Pray for a beam
Out of that sphere
Thee to guide and to redeem.
O what a load
Of care and toil
By lying Use bestowed,
From his shoulders falls, who sees
The true astronomy,
The period of peace!
Counsel which the ages kept,
Shall the well-born soul accept.
As the overhanging trees
Fill the lake with images,
As garment draws the garment's hem
Men their fortunes bring with them;
By right or wrong,
Lands and goods go to the strong;
Property will brutely draw
Still to the proprietor,
Silver to silver creep and wind,
And kind to kind,
Nor less the eternal poles
Of tendency distribute souls.
There need no vows to bind
Whom not each other seek but find.
They give and take no pledge or oath,
Nature is the bond of both.
No prayer persuades, no flattery fawns,
Their noble meanings are their pawns.
Plain and cold is their address,
Power have they for tenderness,
And so thoroughly is known
Each others' purpose by his own,
They can parley without meeting,
Need is none of forms of greeting,
They can well communicate
In their innermost estate;
When each the other shall avoid,
Shall each by each be most enjoyed.
Not with scarfs or perfumed gloves
Do these celebrate their loves,
Not by jewels, feasts, and savors,
Not by ribbons or by favors,
But by the sun-spark on the sea,
And the cloud-shadow on the lea,
The soothing lapse of morn to mirk,
And the cheerful round of work.
Their cords of love so public are,
They intertwine the farthest star.
The throbbing sea, the quaking earth,
Yield sympathy and signs of mirth;
Is none so high, so mean is none,
But feels and seals this union.
Even the tell Furies are appeased,
The good applaud, the lost are eased.

Love's hearts are faithful, but not fond,
Bound for the just, but not beyond;
Not glad, as the low-loving herd,
Of self in others still preferred,
But they have heartily designed
The benefit of broad mankind.
And they serve men austerely,
After their own genius, clearly,
Without a false humility;
For this is love's nobility,
Not to scatter bread and gold,
Goods and raiment bought and sold,
But to hold fast his simple sense,
And speak the speech of innocence,
And with hand, and body, and blood,
To make his bosom-counsel good:
For he that feeds men, serveth few,
He serves all, who dares be true.
posted by:
Ida Koronis
Missouri
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  • Daemonic Love

    Mon, May 25, 2009 - 10:57 AM
    (I know you won't mind, Miss Ida!)

    Ode II


    the dæmonic love.

    Man was made of social earth,
    Child and brother from his birth,
    Tethered by a liquid cord
    Of blood through veins of kindred poured.
    Next his heart the fireside band
    Of mother, father, sister, stand;
    Names from awful childhood heard
    Throbs of a wild religion stirred;—
    Virtue, to love, to hate them, vice;
    Till dangerous Beauty came, at last,
    Till Beauty came to snap all ties;
    The maid, abolishing the past,
    With lotus wine obliterates
    Dear memory's stone-incarved traits,
    And, by herself, supplants alone
    Friends year by year more inly known.
    When her calm eyes opened bright,
    All else grew foreign in their light.
    It was ever the self-same tale,
    The first experience will not fail;
    Only two in the garden walked,
    And with snake and seraph talked.
    Close, close to men,
    Like undulating layer of air,
    Right above their heads,
    The potent plain of Dæmons spreads.
    Stands to each human soul its own,
    For watch and ward and furtherance
    In the snares of Nature's dance;
    And the lustre and the grace
    To fascinate each youthful heart,
    Beaming from its counterpart,
    Translucent through the mortal covers,
    Is the Dæmon's form and face.
    To and fro the Genius hies,—
    A gleam which plays and hovers
    Over the maiden's head,
    And dips sometimes as low as to her eyes.
    Unknown, albeit lying near,
    To men, the path to the Dæmon sphere;
    And they that swiftly come and go
    Leave no track on the heavenly snow.
    Sometimes the airy synod bends,
    And the mighty choir descends,
    And the brains of men thenceforth,
    In crowded and in still resorts,
    Teem with unwonted thoughts:
    As, when a shower of meteors
    Cross the orbit of the earth,
    And, lit by fringent air,
    Blaze near and far,
    Mortals deem the planets bright
    Have slipped their sacred bars,
    And the lone seaman all the night
    Sails, astonished, amid stars.
    Beauty of a richer vein,
    Graces of a subtler strain,
    Unto men these moonmen lend,
    And our shrinking sky extend.
    So is man's narrow path
    By strength and terror skirted;
    Also (from the song the wrath
    Of the Genii be averted!
    The Muse the truth uncolored speaking
    The Dæmons are self-seeking:
    Their fierce and limitary will
    Draws men to their likeness still.
    The erring painter made Love blind,—
    Highest Love who shines on all;
    Him, radiant, sharpest-sighted god,
    None can bewilder;
    Whose eyes pierce
    The universe,
    Path-finder, road-builder,
    Mediator, royal giver;
    Rightly seeing, rightly seen,
    Of joyful and transparent mien
    'T is a sparkle passing
    From each to each, from thee to me,
    To and fro perpetually;
    Sharing all, daring all,
    Levelling, displacing
    Each obstruction, it unites
    Equals remote, and seeming opposites.
    And ever and forever Love
    Delights to build a road:
    Unheeded Danger near him strides,
    Love laughs, and on a lion rides.
    But Cupid wears another face,
    Born into Dæmons less divine:
    His roses bleach apace,
    His nectar smacks of wine.
    The Dæmon ever builds a wall,
    Himself encloses and includes,
    Solitude in solitudes:
    In like sort his love doth fall.
    He doth elect
    The beautiful and fortunate,
    And the sons of intellect,
    And the souls of ample fate,
    Who the Future's gates unbar,—
    Minions of the Morning Star.
    In his prowess he exults,
    And the multitude insults.
    His impatient looks devour
    Oft the humble and the poor;
    And, seeing his eye glare,
    They drop their few pale flowers,
    Gathered with hope to please,
    Along the mountain towers,—
    Lose courage, and despair.
    He will never be gainsaid,—
    Pitiless, will not be stayed;
    His hot tyranny
    Burns up every other tie.
    Therefore comes an hour from Jove
    Which his ruthless will defies,
    And the dogs of Fate unties.
    Shiver the palaces of glass;
    Shrivel the rainbow-colored walls,
    Where in bright Art each god and sibyl dwelt
    Secure as in the zodiac's belt;
    And the galleries and halls,
    Wherein every siren sung,
    Like a meteor pass.
    For this fortune wanted root
    In the core of God's abysm,—
    Was a weed of self and schism;
    And ever the Dæmonic Love
    Is the ancestor of wars
    And the parent of remorse.
    • The Initial Love by Ralph Waldo Emerson

      Mon, May 25, 2009 - 11:10 AM
      Damn it, I wanted to do the daemonic love ode!!!!

      That really doesn't leave me much choice...

      Ode I

      The Initial Love

      Venus, when her son was lost,
      Cried him up and down the coast,
      In hamlets, palaces and parks,
      And told the truant by his marks,—
      Golden curls, and quiver and bow.
      This befell how long ago!
      Time and tide are strangely changed,
      Men and manners much deranged:
      None will now find Cupid latent
      By this foolish antique patent.
      He came late along the waste,
      Shod like a traveller for haste;
      With malice dared me to proclaim him,
      That the maids and boys might name him.

      Boy no more, he wears all coats,
      Frocks and blouses, capes, capotes;
      He bears no bow, or quiver, or wand,
      Nor chaplet on his head or hand.
      Leave his weeds and heed his eyes,—
      All the rest he can disguise.
      In the pit of his eye's a spark
      Would bring back day if it were dark;
      And, if I tell you all my thought,
      Though I comprehend it not,
      In those unfathomable orbs
      Every function he absorbs;
      Doth eat, and drink, and fish, and shoot,
      And write, and reason, and compute,
      And ride, and run, and have, and hold,
      And whine, and flatter, and regret,
      And kiss, and couple, and beget,
      By those roving eyeballs bold.

      Undaunted are their courages,
      Right Cossacks in their forages;
      Fleeter they than any creature,—
      They are his steeds, and not his feature;
      Inquisitive, and fierce, and fasting,
      Restless, predatory, hasting;
      And they pounce on other eyes
      As lions on their prey;
      And round their circles is writ,
      Plainer than the day,
      Underneath, within, above,—
      Love—love—love—love.
      He lives in his eyes;
      There doth digest, and work, and spin,
      And buy, and sell, and lose, and win;
      He rolls them with delighted motion,
      Joy-tides swell their mimic ocean.
      Yet holds he them with tautest rein,
      That they may seize and entertain
      The glance that to their glance opposes,
      Like fiery honey sucked from roses.
      He palmistry can understand,
      Imbibing virtue by his hand
      As if it were a living root;
      The pulse of hands will make him mute;
      With all his force he gathers balms
      Into those wise, thrilling palms.

      Cupid is a casuist,
      A mystic and a cabalist,—
      Can your lurking thought surprise,
      And interpret your device.
      He is versed in occult science,
      In magic and in clairvoyance,
      Oft he keeps his fine ear strained,
      And Reason on her tiptoe pained
      For aëry intelligence,
      And for strange coincidence.
      But it touches his quick heart
      When Fate by omens takes his part,
      And chance-dropped hints from Nature's sphere
      Deeply soothe his anxious ear.

      Heralds high before him run;
      He has ushers many a one;
      He spreads his welcome where he goes,
      And touches all things with his rose.
      All things wait for and divine him,—
      How shall I dare to malign him,
      Or accuse the god of sport?
      I must end my true report,
      Painting him from head to foot,
      In as far as I took note,
      Trusting well the matchless power
      Of this young-eyed emperor
      Will clear his fame from every cloud
      With the bards and with the crowd.

      He is wilful, mutable,
      Shy, untamed, inscrutable,
      Swifter-fashioned than the fairies.
      Substance mixed of pure contraries;
      His vice some elder virtue's token,
      And his good is evil-spoken.
      Failing sometimes of his own,
      He is headstrong and alone;
      He affects the wood and wild,
      Like a flower-hunting child;
      Buries himself in summer waves,
      In trees, with beasts, in mines and caves,
      Loves nature like a hornèd cow,
      Bird, or deer, or caribou.

      Shun him, nymphs, on the fleet horses!
      He has a total world of wit;
      O how wise are his discourses!
      But he is the arch-hypocrite,
      And, through all science and all art,
      Seeks alone his counterpart.
      He is a Pundit of the East,
      He is an augur and a priest,
      And his soul will melt in prayer,
      But word and wisdom is a snare;
      Corrupted by the present toy
      He follows joy, and only joy.
      There is no mask but he will wear;
      He invented oaths to swear;
      He paints, he carves, he chants, he prays,
      And holds all stars in his embrace.
      He takes a sovran privilege
      Not allowed to any liege;
      For Cupid goes behind all law,
      And right into himself does draw;
      For he is sovereignly allied,—
      Heaven's oldest blood flows in his side,—
      And interchangeably at one
      With every king on every throne,
      That no god dare say him nay,
      Or see the fault, or seen betray;
      He has the Muses by the heart,
      And the stern Parcae on his part.

      His many signs cannot be told;
      He has not one mode, but manifold,
      Many fashions and addresses,
      Piques, reproaches, hurts, caresses.
      He will preach like a friar,
      And jump like Harlequin;
      He will read like a crier,
      And fight like a Paladin.
      Boundless is his memory;
      Plans immense his term prolong;
      He is not of counted age,
      Meaning always to be young.
      And his wish is intimacy,
      Intimater intimacy,
      And a stricter privacy;
      The impossible shall yet be done,
      And, being two, shall still be one.
      As the wave breaks to foam on shelves,
      Then runs into a wave again,
      So lovers melt their sundered selves,
      Yet melted would be twain.
      • A Morning with Ralph Waldo Emerson

        Mon, May 25, 2009 - 11:25 AM
        Thank you my friends, thank you for joining me in celebratory recitation of one of Emerson's greatest works on this auspicious day of remembrance.

        My wish for today is that it will mark the last of Memorial Days with active battles bringing future Memorial Day honorees.



        • Re: A Morning with Ralph Waldo Emerson

          Mon, May 25, 2009 - 11:42 AM
          :::donkey golf clap:::
          Und now, Ralph Waldo Emerson on ze Heroine
          Hee! no, on heroine...

          errrr, make zat on heroism:


          ESSAY VIII Heroism

          In the elder English dramaetcher, there is a constant
          recognition of gentility, as if a noble behaviour were as easily
          marked in the society of their age, as color is in our American
          population. When any Rodrigo, Pedro, or Valerio enters, though he be
          a stranger, the duke or governor exclaims, This is a gentleman, —
          and proffers civilities without end; but all the rest are slag and
          refuse. In harmony with this delight in personal advantages, there
          is in their plays a certain heroic cast of character and dialogue, —
          as in Bonduca, Sophocles, the Mad Lover, the Double Marriage, —
          wherein the speaker is so earnest and cordial, and on such deep
          grounds of character, that the dialogue, on the slightest additional
          incident in the plot, rises naturally into poetry. Among many texts,
          take the following. The Roman Martius has conquered Athens, — all
          but the invincible spirits of Sophocles, the duke of Athens, and
          Dorigen, his wife. The beauty of the latter inflames Martius, and he
          seeks to save her husband; but Sophocles will not ask his life,
          although assured that a word will save him, and the execution of both
          proceeds.

          "_Valerius_. Bid thy wife farewell.
          _Soph_. No, I will take no leave. My Dorigen,
          Yonder, above, 'bout Ariadne's crown,
          My spirit shall hover for thee. Prithee, haste.

          _Dor_. Stay, Sophocles, — with this tie up my sight;
          Let not soft nature so transformed be,
          And lose her gentler sexed humanity,
          To make me see my lord bleed. So, 't is well;
          Never one object underneath the sun
          Will I behold before my Sophocles:
          Farewell; now teach the Romans how to die.

          _Mar_. Dost know what 't is to die?
          _Soph_. Thou dost not, Martius,
          And, therefore, not what 't is to live; to die
          Is to begin to live. It is to end |P372|p1
          An old, stale, weary work, and to commence
          A newer and a better. 'T is to leave
          Deceitful knaves for the society
          Of gods and goodness. Thou thyself must part
          At last from all thy garlands, pleasures, triumphs,
          And prove thy fortitude what then 't will do.

          _Val_. But art not grieved nor vexed to leave thy life thus?
          _Soph_. Why should I grieve or vex for being sent
          To them I ever loved best? Now I'll kneel,
          But with my back toward thee; 't is the last duty
          This trunk can do the gods.

          _Mar_. Strike, strike, Valerius,
          Or Martius' heart will leap out at his mouth:
          This is a man, a woman! Kiss thy lord,
          And live with all the freedom you were wont.
          O love! thou doubly hast afflicted me
          With virtue and with beauty. Treacherous heart,
          My hand shall cast thee quick into my urn,
          Ere thou transgress this knot of piety.

          _Val_. What ails my brother?
          _Soph_. Martius, O Martius,
          Thou now hast found a way to conquer me.

          _Dor_. O star of Rome! what gratitude can speak
          Fit words to follow such a deed as this?

          _Mar_. This admirable duke, Valerius,
          With his disdain of fortune and of death,
          Captived himself, has captivated me,
          And though my arm hath ta'en his body here,
          His soul hath subjugated Martius' soul.
          By Romulus, he is all soul, I think;
          He hath no flesh, and spirit cannot be gyved;
          Then we have vanquished nothing; he is free,
          And Martius walks now in captivity."
          I do not readily remember any poem, play, sermon, novel, or
          oration, that our press vents in the last few years, which goes to
          the same tune. We have a great many flutes and flageolets, but not
          often the sound of any fife. Yet, Wordsworth's Laodamia, and the ode
          of "Dion," and some sonnets, have a certain noble music; and Scott
          will sometimes draw a stroke like the protrait of Lord Evandale,
          given by Balfour of Burley. Thomas Carlyle, with his natural taste
          for what is manly and daring in character, has suffered no heroic
          trait in his favorites to drop from his biographical and historical
          pictures. Earlier, Robert Burns has given us a song or two. In the
          Harleian Miscellanies, there is an account of the battle of Lutzen,
          which deserves to be read. And Simon Ockley's History of the
          Saracens recounts the prodigies of individual valor with admiration,
          all the more evident on the part of the narrator, that he seems to
          think that his place in Christian Oxford requires of him some proper
          protestations of abhorrence. But, if we explore the literature of
          Heroism, we shall quickly come to Plutarch, who is its Doctor and
          historian. To him we owe the Brasidas, the Dion, the Epaminondas,
          the Scipio of old, and I must think we are more deeply indebted to
          him than to all the ancient writers. Each of his "Lives" is a
          refutation to the despondency and cowardice of our religious and
          political theorists. A wild courage, a Stoicism not of the schools,
          but of the blood, shines in every anecdote, and has given that book
          its immense fame.

          We need books of this tart cathartic virtue, more than books of
          political science, or of private economy. Life is a festival only to
          the wise. Seen from the nook and chimney-side of prudence, it wears
          a ragged and dangerous front. The violations of the laws of nature
          by our predecessors and our contemporaries are punished in us also.
          The disease and deformity around us certify the infraction of
          natural, intellectual, and moral laws, and often violation on
          violation to breed such compound misery. A lock-jaw that bends a
          man's head back to his heels, hydrophobia, that makes him bark at his
          wife and babes, insanity, that makes him eat grass; war, plague,
          cholera, famine, indicate a certain ferocity in nature, which, as it
          had its inlet by human crime, must have its outlet by human
          suffering. Unhappily, no man exists who has not in his own person
          become, to some amount, a stockholder in the sin, and so made himself
          liable to a share in the expiation.

          Our culture, therefore, must not omit the arming of the man.
          Let him hear in season, that he is born into the state of war, and
          that the commonwealth and his own well-being require that he should
          not go dancing in the weeds of peace, but warned, self-collected, and
          neither defying nor dreading the thunder, let him take both
          reputation and life in his hand, and, with perfect urbanity, dare the
          gibbet and the mob by the absolute truth of his speech, and the
          rectitude of his behaviour.

          Towards all this external evil, the man within the breast
          assumes a warlike attitude, and affirms his ability to cope
          single-handed with the infinite army of enemies. To this military
          attitude of the soul we give the name of Heroism. Its rudest form is
          the contempt for safety and ease, which makes the attractiveness of
          war. It is a self-trust which slights the restraints of prudence, in
          the plenitude of its energy and power to repair the harms it may
          suffer. The hero is a mind of such balance that no disturbances can
          shake his will, but pleasantly, and, as it were, merrily, he advances
          to his own music, alike in frightful alarms and in the tipsy mirth of
          universal dissoluteness. There is somewhat not philosophical in
          heroism; there is somewhat not holy in it; it seems not to know that
          other souls are of one texture with it; it has pride; it is the
          extreme of individual nature. Nevertheless, we must profoundly
          revere it. There is somewhat in great actions, which does not allow
          us to go behind them. Heroism feels and never reasons, and therefore
          is always right; and although a different breeding, different
          religion, and greater intellectual activity would have modified or
          even reversed the particular action, yet for the hero that thing he
          does is the highest deed, and is not open to the censure of
          philosophers or divines. It is the avowal of the unschooled man,
          that he finds a quality in him that is negligent of expense, of
          health, of life, of danger, of hatred, of reproach, and knows that
          his will is higher and more excellent than all actual and all
          possible antagonists.

          Heroism works in contradiction to the voice of mankind, and in
          contradiction, for a time, to the voice of the great and good.
          Heroism is an obedience to a secret impulse of an individual's
          character. Now to no other man can its wisdom appear as it does to
          him, for every man must be supposed to see a little farther on his
          own proper path than any one else. Therefore, just and wise men take
          umbrage at his act, until after some little time be past: then they
          see it to be in unison with their acts. All prudent men see that the
          action is clean contrary to a sensual prosperity; for every heroic
          act measures itself by its contempt of some external good. But it
          finds its own success at last, and then the prudent also extol.

          Self-trust is the essence of heroism. It is the state of the
          soul at war, and its ultimate objects are the last defiance of
          falsehood and wrong, and the power to bear all that can be inflicted
          by evil agents. It speaks the truth, and it is just, generous,
          hospitable, temperate, scornful of petty calculations, and scornful
          of being scorned. It persists; it is of an undaunted boldness, and
          of a fortitude not to be wearied out. Its jest is the littleness of
          common life. That false prudence which dotes on health and wealth is
          the butt and merriment of heroism. Heroism, like Plotinus, is almost
          ashamed of its body. What shall it say, then, to the sugar-plums and
          cats'-cradles, to the toilet, compliments, quarrels, cards, and
          custard, which rack the wit of all society. What joys has kind
          nature provided for us dear creatures! There seems to be no interval
          between greatness and meanness. When the spirit is not master of the
          world, then it is its dupe. Yet the little man takes the great hoax
          so innocently, works in it so headlong and believing, is born red,
          and dies gray, arranging his toilet, attending on his own health,
          laying traps for sweet food and strong wine, setting his heart on a
          horse or a rifle, made happy with a little gossip or a little praise,
          that the great soul cannot choose but laugh at such earnest nonsense.
          "Indeed, these humble considerations make me out of love with
          greatness. What a disgrace is it to me to take note how many pairs
          of silk stockings thou hast, namely, these and those that were the
          peach-colored ones; or to bear the inventory of thy shirts, as one
          for superfluity, and one other for use!"

          Citizens, thinking after the laws of arithmetic, consider the
          inconvenience of receiving strangers at their fireside, reckon
          narrowly the loss of time and the unusual display: the soul of a
          better quality thrusts back the unseasonable economy into the vaults
          of life, and says, I will obey the God, and the sacrifice and the
          fire he will provide. Ibn Haukal, the Arabian geographer, describes
          a heroic extreme in the hospitality of Sogd, in Bukharia. "When I
          was in Sogd, I saw a great building, like a palace, the gates of
          which were open and fixed back to the wall with large nails. I asked
          the reason, and was told that the house had not been shut, night or
          day, for a hundred years. Strangers may present themselves at any
          hour, and in whatever number; the master has amply provided for the
          reception of the men and their animals, and is never happier than
          when they tarry for some time. Nothing of the kind have I seen in
          any other country." The magnanimous know very well that they who give
          time, or money, or shelter, to the stranger — so it be done for
          love, and not for ostentation — do, as it were, put God under
          obligation to them, so perfect are the compensations of the universe.
          In some way the time they seem to lose is redeemed, and the pains
          they seem to take remunerate themselves. These men fan the flame of
          human love, and raise the standard of civil virtue among mankind.
          But hospitality must be for service, and not for show, or it pulls
          down the host. The brave soul rates itself too high to value itself
          by the splendor of its table and draperies. It gives what it hath,
          and all it hath, but its own majesty can lend a better grace to
          bannocks and fair water than belong to city feasts.

          The temperance of the hero proceeds from the same wish to do no
          dishonor to the worthiness he has. But he loves it for its elegancy,
          not for its austerity. It seems not worth his while to be solemn,
          and denounce with bitterness flesh-eating or wine-drinking, the use
          of tobacco, or opium, or tea, or silk, or gold. A great man scarcely
          knows how he dines, how he dresses; but without railing or precision,
          his living is natural and poetic. John Eliot, the Indian Apostle,
          drank water, and said of wine, — "It is a noble, generous liquor,
          and we should be humbly thankful for it, but, as I remember, water
          was made before it." Better still is the temperance of King David,
          who poured out on the ground unto the Lord the water which three of
          his warriors had brought him to drink, at the peril of their lives.

          It is told of Brutus, that when he fell on his sword, after the
          battle of Philippi, he quoted a line of Euripides, — "O virtue! I
          have followed thee through life, and I find thee at last but a
          shade." I doubt not the hero is slandered by this report. The heroic
          soul does not sell its justice and its nobleness. It does not ask to
          dine nicely, and to sleep warm. The essence of greatness is the
          perception that virtue is enough. Poverty is its ornament. It does
          not need plenty, and can very well abide its loss.

          But that which takes my fancy most, in the heroic class, is the
          good-humor and hilarity they exhibit. It is a height to which common
          duty can very well attain, to suffer and to dare with solemnity. But
          these rare souls set opinion, success, and life, at so cheap a rate,
          that they will not soothe their enemies by petitions, or the show of
          sorrow, but wear their own habitual greatness. Scipio, charged with
          peculation, refuses to do himself so great a disgrace as to wait for
          justification, though he had the scroll of his accounts in his hands,
          but tears it to pieces before the tribunes. Socrates's condemnation
          of himself to be maintained in all honor in the Prytaneum, during his
          life, and Sir Thomas More's playfulness at the scaffold, are of the
          same strain. In Beaumont and Fletcher's "Sea Voyage," Juletta tells
          the stout captain and his company, —

          _Jul_. Why, slaves, 't is in our power to hang ye.
          _Master_. Very likely,
          'T is in our powers, then, to be hanged, and scorn ye."
          These replies are sound and whole. Sport is the bloom and glow
          of a perfect health. The great will not condescend to take any thing
          seriously; all must be as gay as the song of a canary, though it were
          the building of cities, or the eradication of old and foolish
          churches and nations, which have cumbered the earth long thousands of
          years. Simple hearts put all the history and customs of this world
          behind them, and play their own game in innocent defiance of the
          Blue-Laws of the world; and such would appear, could we see the human
          race assembled in vision, like little children frolicking together;
          though, to the eyes of mankind at large, they wear a stately and
          solemn garb of works and influences.

          The interest these fine stories have for us, the power of a
          romance over the boy who grasps the forbidden book under his bench at
          school, our delight in the hero, is the main fact to our purpose.
          All these great and transcendent properties are ours. If we dilate
          in beholding the Greek energy, the Roman pride, it is that we are
          already domesticating the same sentiment. Let us find room for this
          great guest in our small houses. The first step of worthiness will
          be to disabuse us of our superstitious associations with places and
          times, with number and size. Why should these words, Athenian,
          Roman, Asia, and England, so tingle in the ear? Where the heart is,
          there the muses, there the gods sojourn, and not in any geography of
          fame. Massachusetts, Connecticut River, and Boston Bay, you think
          paltry places, and the ear loves names of foreign and classic
          topography. But here we are; and, if we will tarry a little, we may
          come to learn that here is best. See to it, only, that thyself is
          here; — and art and nature, hope and fate, friends, angels, and the
          Supreme Being, shall not be absent from the chamber where thou
          sittest. Epaminondas, brave and affectionate, does not seem to us to
          need Olympus to die upon, nor the Syrian sunshine. He lies very well
          where he is. The Jerseys were handsome ground enough for Washington
          to tread, and London streets for the feet of Milton. A great man
          makes his climate genial in the imagination of men, and its air the
          beloved element of all delicate spirits. That country is the
          fairest, which is inhabited by the noblest minds. The pictures which
          fill the imagination in reading the actions of Pericles, Xenophon,
          Columbus, Bayard, Sidney, Hampden, teach us how needlessly mean our
          life is, that we, by the depth of our living, should deck it with
          more than regal or national splendor, and act on principles that
          should interest man and nature in the length of our days.

          We have seen or heard of many extraordinary young men, who
          never ripened, or whose performance in actual life was not
          extraordinary. When we see their air and mien, when we hear them
          speak of society, of books, of religion, we admire their superiority,
          they seem to throw contempt on our entire polity and social state;
          theirs is the tone of a youthful giant, who is sent to work
          revolutions. But they enter an active profession, and the forming
          Colossus shrinks to the common size of man. The magic they used was
          the ideal tendencies, which always make the Actual ridiculous; but
          the tough world had its revenge the moment they put their horses of
          the sun to plough in its furrow. They found no example and no
          companion, and their heart fainted. What then? The lesson they gave
          in their first aspirations is yet true; and a better valor and a
          purer truth shall one day organize their belief. Or why should a
          woman liken herself to any historical woman, and think, because
          Sappho, or Sevigne, or De Stael, or the cloistered souls who have had
          genius and cultivation, do not satisfy the imagination and the serene
          Themis, none can, — certainly not she. Why not? She has a new and
          unattempted problem to solve, perchance that of the happiest nature
          that ever bloomed. Let the maiden, with erect soul, walk serenely on
          her way, accept the hint of each new experience, search in turn all
          the objects that solicit her eye, that she may learn the power and
          the charm of her new-born being, which is the kindling of a new dawn
          in the recesses of space. The fair girl, who repels interference by
          a decided and proud choice of influences, so careless of pleasing, so
          wilful and lofty, inspires every beholder with somewhat of her own
          nobleness. The silent heart encourages her; O friend, never strike
          sail to a fear! Come into port greatly, or sail with God the seas.
          Not in vain you live, for every passing eye is cheered and refined by
          the vision.

          The characteristic of heroism is its persistency. All men have
          wandering impulses, fits, and starts of generosity. But when you
          have chosen your part, abide by it, and do not weakly try to
          reconcile yourself with the world. The heroic cannot be the common,
          nor the common the heroic. Yet we have the weakness to expect the
          sympathy of people in those actions whose excellence is that they
          outrun sympathy, and appeal to a tardy justice. If you would serve
          your brother, because it is fit for you to serve him, do not take
          back your words when you find that prudent people do not commend you.
          Adhere to your own act, and congratulate yourself if you have done
          something strange and extravagant, and broken the monotony of a
          decorous age. It was a high counsel that I once heard given to a
          young person, — "Always do what you are afraid to do." A simple,
          manly character need never make an apology, but should regard its
          past action with the calmness of Phocion, when he admitted that the
          event of the battle was happy, yet did not regret his dissuasion from
          the battle.

          There is no weakness or exposure for which we cannot find
          consolation in the thought, — this is a part of my constitution,
          part of my relation and office to my fellow-creature. Has nature
          covenanted with me that I should never appear to disadvantage, never
          make a ridiculous figure? Let us be generous of our dignity, as well
          as of our money. Greatness once and for ever has done with opinion.
          We tell our charities, not because we wish to be praised for them,
          not because we think they have great merit, but for our
          justification. It is a capital blunder; as you discover, when
          another man recites his charities.

          To speak the truth, even with some austerity, to live with some
          rigor of temperance, or some extremes of generosity, seems to be an
          asceticism which common good-nature would appoint to those who are at
          ease and in plenty, in sign that they feel a brotherhood with the
          great multitude of suffering men. And not only need we breathe and
          exercise the soul by assuming the penalties of abstinence, of debt,
          of solitude, of unpopularity, but it behooves the wise man to look
          with a bold eye into those rarer dangers which sometimes invade men,
          and to familiarize himself with disgusting forms of disease, with
          sounds of execration, and the vision of violent death.

          Times of heroism are generally times of terror, but the day
          never shines in which this element may not work. The circumstances
          of man, we say, are historically somewhat better in this country, and
          at this hour, than perhaps ever before. More freedom exists for
          culture. It will not now run against an axe at the first step out of
          the beaten track of opinion. But whoso is heroic will always find
          crises to try his edge. Human virtue demands her champions and
          martyrs, and the trial of persecution always proceeds. It is but the
          other day that the brave Lovejoy gave his breast to the bullets of a
          mob, for the rights of free speech and opinion, and died when it was
          better not to live.

          I see not any road of perfect peace which a man can walk, but
          after the counsel of his own bosom. Let him quit too much
          association, let him go home much, and stablish himself in those
          courses he approves. The unremitting retention of simple and high
          sentiments in obscure duties is hardening the character to that
          temper which will work with honor, if need be, in the tumult, or on
          the scaffold. Whatever outrages have happened to men may befall a
          man again; and very easily in a republic, if there appear any signs
          of a decay of religion. Coarse slander, fire, tar and feathers, and
          the gibbet, the youth may freely bring home to his mind, and with
          what sweetness of temper he can, and inquire how fast he can fix his
          sense of duty, braving such penalties, whenever it may please the
          next newspaper and a sufficient number of his neighbours to pronounce
          his opinions incendiary.

          It may calm the apprehension of calamity in the most
          susceptible heart to see how quick a bound nature has set to the
          utmost infliction of malice. We rapidly approach a brink over which
          no enemy can follow us.
          "Let them rave:
          Thou art quiet in thy grave."
          In the gloom of our ignorance of what shall be, in the hour
          when we are deaf to the higher voices, who does not envy those who
          have seen safely to an end their manful endeavour? Who that sees the
          meanness of our politics, but inly congratulates Washington that he
          is long already wrapped in his shroud, and for ever safe; that he was
          laid sweet in his grave, the hope of humanity not yet subjugated in
          him? Who does not sometimes envy the good and brave, who are no more
          to suffer from the tumults of the natural world, and await with
          curious complacency the speedy term of his own conversation with
          finite nature? And yet the love that will be annihilated sooner than
          treacherous has already made death impossible, and affirms itself no
          mortal, but a native of the deeps of absolute and inextinguishable
          being.
          • Re: A Morning with Ralph Waldo Emerson

            Wed, June 3, 2009 - 6:08 PM
            Jesus Madame what the hell did you do with everyone?
            • Re: A Morning with Ralph Waldo Emerson

              Wed, June 3, 2009 - 9:51 PM
              Uh, Herman Munster...

              www.youtube.com/watch
              • Unsu...
                 

                Re: A Morning with Ralph Waldo Emerson

                Wed, June 3, 2009 - 10:45 PM
                Mike Myers:

                www.youtube.com/watch
                • Re: A Morning with Ralph Waldo Emerson

                  Wed, June 3, 2009 - 11:25 PM
                  Lord Buckley

                  www.youtube.com/watch
                  • This is the maximum depth. Additional responses will not be threaded.
                    Ray
                    Ray
                    offline 8

                    Re: A Morning with Ralph Waldo Emerson

                    Thu, June 4, 2009 - 1:53 PM
                    Charles Bukowski (lessons)

                    www.youtube.com/watch
                    • Ze Hound ov Heaven

                      Fri, October 9, 2009 - 8:06 PM
                      by Francis Thompson
                      ::Ahem! KAK!!! Quiet, pleaseth. KakKak!!!:::



                      I fled Him, down the nights and down the days;
                      I fled Him, down the arches of the years;
                      I fled Him, down the labyrinthine ways
                      Of my own mind; and in the mist of tears
                      I hid from Him, and under running laughter.
                      Up vistaed hopes I sped;
                      And shot, precipitated,
                      Adown Titanic glooms of chasmèd fears,
                      From those strong Feet that followed, followed after.
                      But with unhurrying chase,
                      And unperturbèd pace,
                      Deliberate speed, majestic instancy,
                      They beat -- and a voice beat
                      More instant than the Feet --
                      "All things betray thee, who betrayest Me."
                      I pleaded, outlaw-wise,
                      By many a hearted casement, curtained red,
                      Trellised with intertwining charities;
                      (For, though I knew His love Who followèd,
                      Yet was I sore adread
                      Lest, having Him, I must have naught beside.)
                      But, if one little casement parted wide,
                      The gust of his approach would clash it to :
                      Fear wist not to evade, as Love wist to pursue.
                      Across the margent of the world I fled,
                      And troubled the gold gateways of the stars,
                      Smiting for shelter on their clangèd bars ;
                      Fretted to dulcet jars
                      And silvern chatter the pale ports o' the moon.
                      I said to Dawn : Be sudden -- to Eve : Be soon ;
                      With thy young skiey blossoms heap me over
                      From this tremendous Lover--
                      Float thy vague veil about me, lest He see !
                      I tempted all His servitors, but to find
                      My own betrayal in their constancy,
                      In faith to Him their fickleness to me,
                      Their traitorous trueness, and their loyal deceit.
                      To all swift things for swiftness did I sue ;
                      Clung to the whistling mane of every wind.
                      But whether they swept, smoothly fleet,
                      The long savannahs of the blue ;
                      Or whether, Thunder-driven,
                      They clanged his chariot 'thwart a heaven,
                      Plashy with flying lightnings round the spurn o' their feet :--
                      Fear wist not to evade as Love wist to pursue.
                      Still with unhurrying chase,
                      And unperturbèd pace,
                      Deliberate speed, majestic instancy,
                      Came on the following Feet,
                      And a Voice above their beat--
                      "Naught shelters thee, who wilt not shelter Me."
                      I sought no more that after which I strayed,
                      In face of man or maid ;
                      But still within the little children's eyes
                      Seems something, something that replies,
                      They at least are for me, surely for me !
                      I turned me to them very wistfully ;
                      But just as their young eyes grew sudden fair
                      With dawning answers there,
                      Their angel plucked them from me by the hair.
                      "Come then, ye other children, Nature's -- share
                      With me" (said I) "your delicate fellowship ;
                      Let me greet you lip to lip,
                      Let me twine with you caresses,
                      Wantoning
                      With our Lady-Mother's vagrant tresses,
                      Banqueting
                      With her in her wind-walled palace,
                      Underneath her azured daïs,
                      Quaffing, as your taintless way is,
                      From a chalice
                      Lucent-weeping out of the dayspring."
                      So it was done :
                      I in their delicate fellowship was one --
                      Drew the bolt of Nature's secrecies.
                      I knew all the swift importings
                      On the wilful face of skies ;
                      I knew how the clouds arise
                      Spumèd of the wild sea-snortings ;
                      All that's born or dies
                      Rose and drooped with ; made them shapers
                      Of mine own moods, or wailful or divine ;
                      With them joyed and was bereaven.
                      I was heavy with the even,
                      When she lit her glimmering tapers
                      Round the day's dead sanctities.
                      I laughed in the morning's eyes.
                      I triumphed and I saddened with all weather,
                      Heaven and I wept together,
                      And its sweet tears were salt with mortal mine ;
                      Against the red throb of its sunset-heart
                      I laid my own to beat,
                      And share commingling heat ;
                      But not by that, by that, was eased my human smart.
                      In vain my tears were wet on Heaven's grey cheek.
                      For ah ! we know not what each other says,
                      These things and I ; in sound I speak--
                      Their sound is but their stir, they speak by silences.
                      Nature, poor stepdame, cannot slake my drouth ;
                      Let her, if she would owe me,
                      Drop yon blue bosom-veil of sky, and show me
                      The breasts o' her tenderness ;
                      Never did any milk of hers once bless
                      My thirsting mouth.
                      Nigh and nigh draws the chase,
                      With unperturbèd pace,
                      Deliberate speed, majestic instancy ;
                      And past those noisèd Feet
                      A Voice comes yet more fleet --
                      "Lo ! naught contents thee, who content'st not Me."
                      Naked I wait thy Love's uplifted stroke !
                      My harness piece by piece Thou hast hewn from me,
                      And smitten me to my knee ;
                      I am defenceless utterly.
                      I slept, methinks, and woke,
                      And, slowly gazing, find me stripped in sleep.
                      In the rash lustihead of my young powers,
                      I shook the pillaring hours
                      And pulled my life upon me ; grimed with smears,
                      I stand amid the dust o' the mounded years --
                      My mangled youth lies dead beneath the heap.
                      My days have crackled and gone up in smoke,
                      Have puffed and burst as sun-starts on a stream.
                      Yea, faileth now even dream
                      The dreamer, and the lute the lutanist ;
                      Even the linked fantasies, in whose blossomy twist
                      I swung the earth a trinket at my wrist,
                      Are yielding ; cords of all too weak account
                      For earth with heavy griefs so overplussed.
                      Ah ! is Thy love indeed
                      A weed, albeit an amaranthine weed,
                      Suffering no flowers except its own to mount ?
                      Ah ! must --
                      Designer infinite !--
                      Ah ! must Thou char the wood ere Thou canst limn with it ?
                      My freshness spent its wavering shower i' the dust ;
                      And now my heart is as a broken fount,
                      Wherein tear-drippings stagnate, spilt down ever
                      From the dank thoughts that shiver
                      Upon the sighful branches of my mind.
                      Such is ; what is to be ?
                      The pulp so bitter, how shall taste the rind ?
                      I dimly guess what Time in mists confounds ;
                      Yet ever and anon a trumpet sounds
                      From the hid battlements of Eternity ;
                      Those shaken mists a space unsettle, then
                      Round the half-glimpsed turrets slowly wash again.
                      But not ere him who summoneth
                      I first have seen, enwound
                      With glooming robes purpureal, cypress-crowned ;
                      His name I know, and what his trumpet saith.
                      Whether man's heart or life it be which yields
                      Thee harvest, must Thy harvest-fields
                      Be dunged with rotten death ?
                      Now of that long pursuit
                      Comes on at hand the bruit ;
                      That Voice is round me like a bursting sea :
                      "And is thy earth so marred,
                      Shattered in shard on shard ?
                      Lo, all things fly thee, for thou fliest me !
                      "Strange, piteous, futile thing !
                      Wherefore should any set thee love apart ?
                      Seeing none but I makes much of naught" (He said),
                      "And human love needs human meriting :
                      How hast thou merited --
                      Of all man's clotted clay the dingiest clot ?
                      Alack, thou knowest not
                      How little worthy of any love thou art !
                      Whom wilt thou find to love ignoble thee,
                      Save Me, save only Me ?
                      All which I took from thee I did but take,
                      Not for thy harms,
                      But just that thou might'st seek it in My arms.
                      All which thy child's mistake
                      Fancies as lost, I have stored for thee at home :
                      Rise, clasp My hand, and come !"
                      Halts by me that footfall :
                      Is my gloom, after all,
                      Shade of His hand, outstretched caressingly ?
                      "Ah, fondest, blindest, weakest,
                      I am He Whom thou seekest !
                      Thou dravest love from thee, who dravest me."

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